You can change the type by shifting the corset’s opening to the back, adding some lace, or making it an underbust corset, which would make it end above the navel! I strongly suggest you browse the internet to take inspiration from some references! Websites like Pinterest offer a lot of them. (2) Note: There are a lot of different types of corsets, but this type is the simplest and fastest to draw. Now the corset: we just need to follow the bustline down to the hips and leave the front a little open! (1) After that, we only need to tie the front together and add some seam details. Let’s apply this same technique to the other sleeve. You can draw them quite large if you want a soft and voluminous fabric. Let’s now start with the bottom part of the sleeve! (4) Pay attention to the fabrics’ physics: remember that the wavy line of the sleeve’s folds should go around the arm. Okay, now picture the paper around the candy still folded, but without the piece of candy inside: we would have two tighter parts and a puffier one! That’s what puffy sleeves should look like □ (3) ![]() If we want to draw puffy sleeves, here’s a tip! Imagine a wrapped piece of candy. I imagined my character with a tight waistline, so I think a corset over her blouse would suit her well, and I’ll add some folds under her chest to make the dress look a bit more realistic (2). Let’s start with a blouse and apply what we just learned-let’s decorate the neckline with some frills (1). ![]() If we draw the dress blindly without a model to wear, we might leave too much room for anatomical mistakes, which might be hard to fix later.įeel free to ink the draft as I did, but it isn’t necessary.įirst, let’s sketch the dress on our character to find a silhouette we like! Once we’re done, we can add all the details we have in mind.įor all this planning part, I use my favorite sketching pencil! I use it with a point 4 in stabilization, and with a grade in antialiasing! You can see the settings I use right here :> This might sound trivial, but it’s actually essential: sketching the pose we want before the dress makes it easier to accurately draw the physics of the fabric and fix what we think is off (proportions, physics of clothing, etc.). Now, the most important thing: how can we apply these rules to create a real outfit?įirst, we have to draft our character. It’s all a matter of the ruches’ or the frills’ size! The best part of this element is that it can be part of the dress or be a simple decoration for clothes you think of as too plain. You might make them smaller to decorate lapels or blouses, or bigger for skirts. This is the basis for every ruche, pleat, or gather, and you can apply the very same steps to frills as well. After that, we’re almost done! To make them look prettier and more realistic, we need to sketch a few folds in the flattest parts to mimic real fabric. This is the most important line: it’s the base for any kind of frill! Then, we need to draw the external part of the fabric’s fold and mark where the seam is. The first step is to draw a wavy line, not too sharp, with soft edges. Still, obviously you can replicate it and follow it using any drawing software you are used to! For this tutorial, I used Clip Studio Paint because it’s the software I enjoy working with the most (it’s actually my main software). I’m a comic artist and a digital illustrator. Today we’ll be making a dress with all these elements, and we’ll see how to draw them easily with a few tricks. I have a thing for frilly clothes, full skirts, puffy sleeves, and any kind of volume: they look very dynamic in art and bring your characters to life! ![]() One of the things I’m most fond of when I think about an illustration is how to dress my characters. My name’s Martina, but on the internet, I’m known as Mortinfamia □
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